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The Door Into Summer: The Age of Micropop

Posted by Mayumi Hirano on March 01, 2007

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Review published in Modern Painters, March 2007

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Interview with Edgar “Egai” Talusan Fernandez

Photo by Mark Salvatus I visited Egai Fernandez while he was de-installing his solo show, “ Kalayaan At Iba Pang Kwento Sa Kanto ” at Kanto Artist Run Space; then he took me through the history of his art practice from 70s up to today. (September 25, 2013, Interviewer: Mayumi Hirano) *********** You co-founded two progressive artist groups in 70s and 80s, respectively Kaisahan and Concerned Artist of the Philippines. I would like to know about the social and climate atmosphere of the time for artists? Why did you decide to be an artist? I'm still trying to be an artist. I don't know. When I was young like 3 or 4 years old, my mother said I could draw, not stick figures, but the images of calesa (horse drawn cart) with perspective. After I took a vocational course in drafting, I didn’t think I would go to a higher education. My mother didn't want me to go to the University of the Philippines (UP), because at that time it was the height of activism. Anyw

Interview with Talaandig Artists

Photo by Mark Salvatus The home of Talaandig Artists is located in Songco in Lantapan Bukidnon in Mindanao. I visited their village during their community festival. This post presents conversations with the leader of the artist group, Waway Linsahay Saway, and painters Balugto Poonon Necosia, Soliman Poonon, and Salima Saway-Agra-an. (Interviewed on October 13, 2013, in Songco, Lantapan Bukidnon, Philippines, Interviewer: Mayumi Hirano) ******************* Interview with Waway Linsahay Saway Photo by Mark Salvatus The Talaandig Tribe has a school of living traditions, which is recognized by the National Commission for Culture and Arts (NCCA). How does it function? In 1995, the school was founded by my brothers. I was one of the teachers, teaching music. When we were starting up the project, NCCA supported us to construct the building. We don't get support after that because we don't ask for it. We want self-determination. We want to show the world

Interview with Mideo M. Cruz

Mideo M. Cruz is an interdisciplinary artist, who combines painting, sculpture, installation, performance and activism. Stemming from deep doubts, artwork of Cruz creates a provocative statement about the social structure. This interview explores collectivism in his artist practice. (Interviewed on November 22, 2013, in Makati City, Philippines, Interviewer: Mayumi Hirano) ******************* UGATLahi Artist Collective was formed in 1992, when you were still an art student majoring in painting at University of Santo Thomas. How did it all begin? We were young activists and we learned the value of the creatives in nurturing our ranks and expressing our thoughts. We wanted to understand more about life, bothered by existentialist dilemma to search the meaning of our existence and to see real things that were happening in contrast from the sanitized declarations of the existing institution. With a group of student activists/artists, we decided to establish a cultural grou

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